Everything Was Forever, Until It Was No More LP
Bocian Records KNS / POL / 2014
The record is an attempt to document a sound installation by Konrad Smoleński presented in at the Polish Pavillion at the 55th Venice Biennale 2013. The sound sculpture is based primarily on the manipulation of the tolling of a bell. Through the process of transforming this familiar tone of traditional bells, Smoleński also changes its meaning: a sound that evokes a variety of associations is given an abstract frequency that seems devoid of connotations.