Room 40 83 / AUS / 2017
The relation of sound and architecture has been a recurring theme across the centuries. The earliest examples of sound design stem from the interaction of human voice and various architectural spaces used for worship and ritual. It is these sonic reflections on ritual that are at the root of the latest edition from Japanese ambient maestro Chihei Hatakeyama. Recorded over the period of five years, Mirage is a meditation on the phenomenology of music and architecture. During a field trip to Turkey, Hatakeyama became acutely aware of how architecture shapes sound and through doing so effects the very nature of music’s resonance. This condition extends beyond the personal into the collective, creating a certain condition of aurality that operates at a societal level.